Normal aspect ratios/resolutions used in cinemas: 2K DCI F Flat 1.85 1998 x 10802K DCI S Scope 2.39 2048 x 8584K DCI F Flat 1.85 3996 x 21604K DCI S Scope 2.39 4096 x 1716 All cinemas have presets for Flat and Scope. Not commonly used aspect ratios/resolutions DCI 2K C Full Container 2048 x […]
Valid DCI F and S DCP Resolutions Read More »
If you have a Macbook Pro newer than 2016 or another Mac with a Display P3 screen, you can use P3 D65 as the color space in the viewer in DaVinci Resolve. Enable P3 D65 in Resolve on a Macbook Pro To enable P3 D65 in Davinci Resolve go to “Resolve – General Preferences” and
Viewing P3 D65 in Resolve on macs with display P3 screens Read More »
Some color transform examples These examples are from projects with “Color Science” set to “Davinci Resolve YRGB” in Project settings. Not Davinci Resolve YRGB color managed. Rec 709 2.4 to DCI X´Y´Z´ When you choose Rec 709 Gamma 2.4 as the Timeline color space in Resolve, DCPs made with Kakadu or the Easydcp plugin will
Some Resolve 17/18 color transform methods to DCI X´Y´Z´ Read More »