In this post, I describe how to fix two types of gamma shifts in Resolve 17/18: Rec709-A gamma tag gamma shift fix Video files from Final Cut X and other sources are often tagged as Rec-709-A even if they were graded on 2.4 gamma monitors. Sometimes you need to set the Timeline Color space as […]
Avoiding gamma shift when exporting from Resolve 17/18 Read More »
This is a part of If you look at a DCP made with a white point/chromatic adaption from D65 to DCI WHITE in Resolve, the picture will look greenish. You can add a corrector node with the “Chromatic adaption” Resolve FX effect from DCI White to D65 to get it back to normal. Settings Chromatic
Removing green tint from DCPs in Resolve Read More »
Using Blackmagic DaVinci Resolve Studio for DCP creation You can export DCPs using the built-in Kakadu JPEG2000/DCP encoder in Resolve 17/18 Studio ($295). In the free version, you will get a watermark on DCPs. Blackmagic Davinci Resolve Studio’s main advantages are: The Easydcp plugin (€949) supports encrypted DCPs. The Kakadu does not. I have also
How to Export a DCP in DaVinci Resolve Studio using the Kakadu Encoder Read More »