When doing versioning on feature film DCPs you often add logo reels in front of the film. Usually, these are: I wrote a post about adding logo reels to a DCP in Easydcp Creator here. Logos are sent as pictures, video files, and sometimes DCPs. Blackmagic Davinci Resolve can be used to scale and convert […]
Some tips on adding logos to DCP feature films Read More »
There are three common sound levels on DCPs: Feature movie theatre mix loudness level – 85dB SPL standard reference level Cinemas are calibrated to the SMPTE RP 200:2012 standard where a -20 dB RMS pink noise signal is measured to 85 dBc and the reference fader level is set to 0. There is no setting in loudness
Loudness levels on DCPs Read More »
DCP-o-matic main advantages are: I have also written tutorials on how to make DCPs in Davinci Resolve Studio and Fraunhofer Easydcp Creator Plus How to make a DCP in DCP-o-matic from a video file Sometimes cinemas get sent marketing files that they want to play as DCPs: These files are often jpeg/TIFF, mp4, or MOV
Converting a video to a DCP in DCP-o-matic Read More »