Which Oppenheimer DCP to use? F-220 or S-220

Selecting the Correct DCP Format for 2.20:1 Films Recent Examples: Choosing the Right Format:The optimal DCP format depends on your theater’s screen configuration: For Fixed Width Screens: For Fixed Height Screens: Important Note:When distributing S-220 DCPs, they must always be accompanied by F-220 versions because: Guide Screen Configurations Fixed Height Screens Alternative: Fixed Width Screens […]

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Making a DCNC DCP name

The ISDCF DCNC (Digital Cinema Naming Convention) When creating DCPs, it’s crucial to avoid whitespaces and special characters in filenames to ensure compatibility across different playback systems. Rather than using casual names like ‘My Super Movie,’ industry professionals follow the ISDCF DCNC (Digital cinema naming convention) . Here’s an example: MovieTitle_FTR_F_EN-XX_INT_51_2K_NULL_20230622_NUL_SMPTE_OV Understanding DCNC Components: Important Note:

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Using SRT/TTML subtitles with DCP style formatting in Resolve 19

Working with Subtitles in DaVinci Resolve Two Primary Methods 1. External Subtitle Export 2. Burned-in Subtitles Exporting the subtitles as SRT or TTML File- Export – Subtitle SRT (SubRip Subtitle) files are widely compatible with popular media players and streaming platforms. VLC Media Player fully supports SRT files with formatting tags, including italics and bold

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